
March of 2009 came an exciting
opportunity. Scott Jones, a colleague and friend, had always talked about how fun it would be to work with a sound team instead of the usual one man band that we were used to. The
opportunity came when Jones got a call to work on a student short called "
The Sacrifice of Old San Juan". He called me to work as his boom operator which I couldn't have been more
excited about. Not only was this going to be my first narrative project but it was also my first time working with a sound department.

On the shoot, I met so many great people. It was really exciting working with so many people on the project. Realize up until then, I had only worked on projects that usually had only 3 people, a producer, cameraman and sound engineer which was usually me. Occasionally we would get the
luxury of a gaffer or a makeup artist but never really more than that. Here, I was working with departments, a camera department, grip & electric department, art department, etc. It was still considered a pretty small crew but it was the biggest I had ever worked with.
The department I knew the best (meaning I knew one person on it) was the grip and electric. The gaffer who is the head of the department was
Jason Tahara, owner of
Light Factory in Boulder, Colorado. The Key Grip was
Dylan Rumney who I had met and worked with before. These guys and their team were so great to work with. So much in fact, the last day there was no sound but I volunteered to work with the G & E department just to get to know them better. They had just finished working on another local project called "
Ink" which is now available on
Netflix. Check it out.
The o
ther department I worked with most closely was the camera department. Our Director of Photography (DP)
Pablo Berron and his 1st AC (Assistant Camera)
Eli Berg were fantastic to work with. They shot the whole film on the
Viper, made by Grass Valley, which was also a first for me. Up till then, I had only worked with broadcast style cameras like the Sony F900. This was the first cinematic camera I had worked with and I have to say, it was quite impressive. When ever anything was getting a little tense or frustrating, you'd hear Eli in the background singing Black Betty by Ram Jam. I found it so
amusing I made it my
ring tone.

There are many others I enjoyed working with on this project that it would take way to long to write about them all but i will say the best part of the shoot was when we had an effects team come in and light a truck on fire. I had know idea that this would just be the beginning of the multiple narrative projects I would be working on and that this path would lead me to move to another state.
